quanta records’ third release, correspondances, is a mini lp by aeon that combines experimental techno, ambient and musique concrète elements. the tracks of the album communicate through similar sounds, noises and rhythmic patterns, but while atmospheres diverge, there is a constant exchange from cold and industrial to solar and melodious so as to form a complex and balanced ensemble.
aeon’s has placed randomness at the centre of his creative process. computing and random programming have allowed the artist to explore new structures and to no longer simply consider a glitch as an error, but rather as a primal source of novel sound.

his first solo ep, barbies back, out on gomma, is a huge success for the ghetto-disco wizkid and everyone starts falling in love for his sound: his first album, hot robot, is released in 2008 and erol alkan, jori hulkonnen, prinstomas, digitalism, shitrobot play his tracks all around the world. thought, recorded and produced in his studio in gracia, barcelona, v.i.c.t.o.r features a number of collaborations: julienne dessagne (sachienne), yan wagner, fabrizio mammarella, moscoman, guillaume atlan, in fields, pajaro sunrise

cloud corridors is the first release of jan philipp longerich alias processed.sunshine and also the debut on his imprint fertile imagination music, which stands for puristic grooves, deep and dreamy vibes and an all in all raw sound that sticks tight to the original idea of a track. inspired by different formations of clouds and their movements, the record takes the lsistener from huge cloud castles in wolkenburg through cloud corridors down into the dark vibe of the fog. minimalistic drum manchine patterns, deep pads, hypnotic sequences and morphing basslines give the record its warm, lively and feral character. the lp was completely created out of live sessions with analog equipment and each track was recorded in one take. - these bouncing analog grooves are made for after hours in the early morning.

elocution, the third figure ep from portuguese producer lewis fautzi, again displays a high defree of versatility but still comes cleary cut for the club. employing a rich yet spacious sound design, fautzi creates cinematic scapes that are at once both brimming with the hums of colossal interstellar machinery yet at the same time leave enough room for a range of carefully sculpted elements to do their work. whether it be the twisted acid arpeggio on opener shizophrenia, the imposing drones underscoring the mighty mirror or the propulsive percussion of centerpiece 37b. testament to fautzis talent of engaging arrangement, never do the tracks here feel hurried nor do they become stagnant - but rather given just the right time to ripe into their full captivating potential. no matter if one is to approach this records as already an avid lover of lewis fautzis work or comes to it simply looking for fresh takes on the classic formula, this enthralling ep certainly will satisfy everyones needs.

glow worm/aloha ice jam is the third release from oflynn, and follows two sell out releases on blip discs. described by boiler room as one of dance music s most prosperous newcomers, oflynn is quickly establishing a reputation as a bright young talent and has already had his releases supported by ben ufo, gilles peterson, bonobo, pearson sound, bradley zero, joy orbison and four tet to name but a few. a-side glow worm was premiered by james blake on his bbc radio 1 residency show and showcases a contagious synth melody that is underpinned by a percussive house groove. in a similar way to both his previous releases, the flip side takes things into a whole new territory, and in this instance the infectious disco-tinged aloha ice jam takes aim squarely at the dance floor and doesnt miss

yet again, labelowner gaze ill joins forces with the danish dubstep ambassador rdg, this time for a 4 track collaborative ep. on the aside the artists minds melt together in two pieces of dubstepscience. as the title suggests, rdg and gaze ill show what dubstep is made of with “keepin’ it real” that’s characterized by a pressuring hardness, and uplifting energy. “the zone” follows with its progressive universe that evolves in just the right way with perfect timing. the bside shows off the two artists individual skills with immense, paranoid vibrations on rdg’s “shapeshift”, and thrillingly deep basslines on gaze ill’s “combo”. the ep is a refreshing showcase of the genre’s finest offerings original sound with a wellbalanced diversity. rdg and gaze ill keep it real for this first vinyl release on cue line records.

obrani records is a ukrainian vinyl label based in odessa. our aim is a collaboration between ukrainian and worldwide artists. we believe that our project could be not only interesting but also educational for those who aspire to better music, quality of sound and self-development. in ukrainian word obrani means chosen and some special stuff. on our label you will find only well-chosen (obrani) artists and music.
180 grams / vinyl only

arcarsenal is back on finest hour with a four tracker ranging from dub techno to junglish atmospherical beats through house and breakbeat. this ep showcases their constant evolution while simultaneously keeping a mature sound and a strong identity.

some things just get better with age. house grooves vol. 1 mark a part in history, where a young move d felt ignited by the classic house music sounds of the day. strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. house grooves vol.1 embodies that special time and place with a bunch of vintage tracks saved from the abyss. respectfully edited and dusted with gloves, it features move ds sought-after magic moment i gave my love, a collaboration with mannheims house hero see-base, the bass line swing of babyphonk and a breakbeat-led remix by shan & gerd janson that tries to sound like it could have happened back them. the bottom line is: the past can make the future feel at home.

it took 2 years to finally release these reworks for the debut album by philogresz. taped wall of sound kinda drift from the cyclist aka buz ludzha complemented by zk bucket s straight on moody jam gives the ep a strained contrast. not to mention peak time euphoric philogresz remake of his own asakusa that is dedicated to the japanese eels in that neighborhood. gazing cutsz!

betonkust and palmbomen ii are back with their second collaborative effort. this time on the dutch pinkman label. six brand new tracks that seem a lot darker than their previous work. somewhere between belgian new beat from 1988 and the west coast sound of holland. a lo-fi nightmare that turns out to be reality. pounding drums, paranoid acid patterns and angsty out of control synth choirs.

the ongoing celebration of kontra-musik s 10 years anniversary is basically a recognition of the importance of charisma within the predominantly mechanical sphere of electronic music. to quote label boss ulf eriksson in a recent groove interview: -to release on kontra you need to have developed a unique and personal sound.

doktu rhute muuzic (formerly roy hytower) has enjoyed a full career from his late teens to this present day, a career that spans over 50 years. his first experiences were singing around mobile, alabama. in 1962 he came to chicago, replacing mighty joe young as rhythm guitarist for otis rush. often adopting a soul-slanted sound, hytower cut a handful of 45rpm singles in the 1960s and 70s for several local labels such as avin, expo, brainstorm, and jiffy. in june 2016 his tune “song of deliverance” was featured on tramp’s “peace chant- compilation. in recent years roy hytower has self-released a couple of cds, however under his new moniker, doktu rhute muuzic. “i’m in your corner” and “tip jar” were released on two different cd albums. this is the only chance to get these two wonderful tunes on vinyl. don’t miss it!

for la clap s second release, cntrl takes commands with a banging ears ep, including a special remix by birdsmakingmachine. la clap is on the roll, having a slowly start but a heavy advance. -dwntstrs- will take you downstairs, at a slow tempo and precise claps. a mixture of sharp sounds that makes you travel deep down. cntrl is coming here with a &#64258,,ame in his hands, followed by a bmm dynamite remix, taking us to another sound

future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

the album was written, produced, and distributed in garys hometown baltimore, between 1986 and 1987. after a break from performing while getting belated college degrees, gary returned to performing in the early 21st century, back to the singer/songwriter style of his past. gary feels that the generic art ensemble/original soundtrack days gave him an ability to open up his writing. his recent albums feature guitar, but many songs do have keyboards added to give them a fuller, less folky sound.

2xlp version comes with free download card. bbc radio support from benji b, huw stephens, b traits, mary anne hobbs. initial dj support from: ben ufo, pearson sound, joy orbison, blawan, pariah, objekt, call super, midland, kowton, peverelist, tessela, martyn, luke slater, hodge, anthony parasole, mosca, a made up sound, etc.

dyad carry the flame for the dancefloor-centric sound of warehouses and big rooms worldwide. in their first outing for dba they offer two options for the discerning techno selector, one uplifting and rip-roaring, the other dark and brooding. dyad is a collaborative music project and label by ben gibson and fundamental interaction, launched in 2014. their first trilogy of eps showcased a muscular and melodic sound, with tracks like from another place, enclosed and zou receiving strong support from a host of highly regarded djs.

the dba dubs series returns with a fresh tropical house roller from samrai backed by a remix from michigan resident james t. cotton. khadi brings together samrai s tough drums and ethereal sun-kissed fx with a helping of keys from an anonymous local collaborator. on the flip jtc, the artist behind dabrye, sound murderer and a host of other cult catalogues reinvents khadi as a detroit house stepper. manchester resident via the midlands, samrai makes up 50% of the swing ting production unit. he s released with distinguished labels such as keysound, niche & bump and uttu as well as collaborating with ruf dug, murlo, brackles & hyperdub s okzharp. his dj sets take in x-amount of styles, always system-friendly with an emphasis on the soulful side of things.

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

newborn munich based label slam city jams comes around the corner with its first release from young gun gonima straight outta montreal, canada. his grids ep? an exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. you can definitely spot gonima s passion for dx7 adventures, analog drums and tape hiss right here. opener -grids- starts off with lush synth blips, 707 drums and a bassline bootsy collins would give high-fives for. -subdivided- is one of these tracks that shows you that it doesn’t need more than a few elements to get you going: a rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. the last original on b2 is the ambient-like -organ tutorials-, which shifts your mind directly to outer space. and as if all this wasn t enough, someone really special did a great remix job – khotin from 1080p fame, who gave the a2 cut a treat with his unique trademark sound. four house and ambient tracks both for the floor and the couch. or as gonima puts it: -an ep that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. the sounds within are a ritual dance to stay warm through the procession of the seasons-

long celebrated as a hub for new producers to showcase their talents, cdr return to the releasing game in partnership with dimensions festival. up and coming house heads k15 and fyi chris reportedly invited lismore and ben houghton to take part in this collaborative release, resulting in four tracks that wouldn t sound out of place soundtracking a balmy afternoon dance on the adriatic sea. oozing quality and soul throughout, there s a distinctly laid back flavour to the house on offer across this release, although fyi chris add a touch more bite with their grubby lo-fi synth lines on -sugar-.

special remarks: 180g vinyl
echonomist is back on rotary cocktail rec. and presents a tribute to the deep and hypnotic vibes of early detroit techno but in his own way of modern and synth-driven sound design.

nice price deal !!! emg is back again on his own experiential learning imprint. -255- is a 6 tracks ep including old studio material and more recent sound explorations. following the lead of his previous releases on the label, -255- is an harmonious blend of elemental dance floor oriented tracks and more experimental, even abstract, studio investigations. 255 limited copies. handmade artwork.

vol. 3 ... minimalistic sound .... vinyl only

the turbo debut from gilmer galibard is a collection of four dark, visceral techno floor-destroyers from a young canary islands-based producer about whom we know relatively little. it also marks the labels first release to feature a swear in the title, offering a foreboding glimpse of the paranoid machine-driven warehouse terror contained within. by now you will have heard the demo in its entirety and are still dancing whether you want to or not. for my purposes, you will use the search engine optimization terms dark, visceral, techno, floor-destroyers and paranoid machine-driven warehouse terror to ensure that it finds its way to the 83 people who need to hear the release through this specific channel. you may tell people i am 26 years old and from the canary islands both facts are true and sound comforting enough but as you now know this does not matter. print this in its entirety and leave the release title unchanged. i would say ive said too much but that is impossible because as youve come to understand all of this has already happened.

support by: laurent garnier, pearson sound, noizar, umwelt, simo cell
following his stunning everything is nothing ep, which kicked off the hubble telescope series for solar one music in 2015, luxus varta (aka emeric di paolo) is back with a new four track ep for french label, intramuros. ‘rosenhan experiment’ (named after david rosenhan’s famous study to determine the validity of psychiatric diagnosis, published in 1973 under the title “on being sane in insane places”) takes us on another electro trip into the human mind with paris the black fu from detroit grand pubahs once again making an appearance, on the track ‘losquato’. the ep opens with the wonderfully shimmering ‘wenn’ before luxus varta makes striking use of his background as a drummer on ‘lizzy’. ‘losquato’ is a playful addition with stripped back rhythms under paris’ story telling that bemoans a man’s work frustrations and resulting mental state (“i gave up therapy about a month ago. my therapist jumped out of a window”), while closer ‘tempsun’ is almost melancholy in its measured minimalism. recommended for lovers of drexciya and dopplereffekt.

lunar disko records returns to action with another label debut featuring carlow house and techno duo, tr one. two of ireland’s finest dj’s return to production duties with a supreme house and techno ep. the ’chicarlow ep’ features four adventurous analogue jams showcasing tr one’s love for the sound of chicago and detroit. raw percussion and drum rhythms, fused with the beauty and soul of chicago and detroit machine music make for a classic house and techno 12&#8243,. a passionate record, from a passionate pair. made in chicarlow.

this monster 1976 lp from nassau s munnings brothers aka beginning of the end is a stone cold classic. fact. well deserving of a place in any record collection! this, their second lp (with 1971s infamous funky nassau preceding it) features the brothers original, fresh sound a mixture of tough funk rhythms, bahamian soul and flourishes of jazz and rock is an extremely well executed and produced body of work. not surprising considering the band were one of the bahamas foremost musical outfits. the brothers musical backgrounds could not have been any more fitting, they cut their teeth playing regularly alongside the likes of nat king cole and count basie at their fathers well known nightclub the cat and the fiddle, what we get on this lp however is not jazz, but lean, melodic soul music! original copies of this seminal lp can change hands for 100 s on the used/second hand market and is a solid constant at the tops of the wants lists of record aficionados. the lp has been illegally reissued numerous times without any care or attention being taken to retain or respect the quality of the amazing music contained within. not so on this occasion, this is a fully legit, sanctioned reissue done in conjunction and with the assistance of miami s tk disco empire. now is the perfect time to revisit the deep, soulful sounds of the munnings brothers endeavours, a truly sublime collection of songs, drenched in sunshine, masterfully produced and performed with pure vitality. a truly classic album. sounding as fresh as it did almost 40 years ago. jump in the water!

passion for jazz and soul music. reekee, a remarkable young and talented artist from modena (italy) not only plays the keys as an extention of his mind but his true and pure sound makes you feel warm and connected from first notes. a mixture of broken beats with soulful melodies & analog drummin and reminds early mr. fingers tracks. you often get a nu-jazz feeling and can clearly hear the jazz influences between the funky house beats. because it s so difficult to describe the feeling you get listening to his music, you should hear it yourse.

remembering the old days is not always the wrong choice. david jach focused on his roots and with back to house and he reflects where his own sound is coming from. oldschool vibes meet a new way of club aesthetics. a homage to friends of classic but modern house productions with punch. his friends okain and agent are with him on his journey and provide their interpretation of oldschool house music. both give the original an individual twist and the three productions together build a harmonic picture back to house .

b-stock! cover with seem split! the album from shiki kyokai. retrospective series part 2. the label owner dj shufflemaster who came back to the scene in 2014 gives his unreleased tracks which were produced from 1995 to 2002

from the realms of buenos aires’ legendary and undocumented nightlife comes a new ep by djs pareja - who have been generously introducing us to their nocturnal dancefloor visions since the very beginning of cómeme, shaping not only the label’s sound and message but also influencing heavily the modern takes on techno in latin america. here’s their ep “alto” literally meaning “high”, and this is where it’s supposed to take you and surely will.

exium returns home, nheoma, with their third album “reduction required”, based on the construction of tracks with very few elements without losing their intensity and characteristic sound.

prince of persia sound from the big city: the dusty twilight of day and night sets the atmospheric backdrop for the dreamlike groove visions of berlin based producer zigan aldi. the track “blue hill” combines a compelling bassline with the enigmatic sound of a string instrument that seems to originate straight from the parallel world of 1001 nights. “rosa martha” starts as a stripped-down rhythm tool with a rather dark vibe which then contrasts beautifully with a hint of warm house music bubbling up from the depths towards the middle of the track. mollono.bass and pophop dedicate their remixes to the uplifting side of things, and the digital version provides two more exciting adventure stories for dance floor explorers.

hard previously unreleased dubplate cuts on side a, i roy vocal & dub on the same rhythm on the b-side! legendary channel 1 dubplate music. this version of -free black man- by earth & stone was scrapped for release in favor of the softer version that eventually appeared on their -kool roots- album, but this heavy cut achieved infamous dubplate status thru play on uk sound systems. in the case of this tune, it seems only dubwise cuts made the rounds, as we ve not heard (or heard of) a full vocal. and like many tunes not pegged for release from back in the day, mixdown masters were never kept, so only dubplates remain to haunt us. here you get two hard dubwise cuts, remastered from dubplate (punters beware!), raw as ever. on the flip side, i roy s vocal, the only released cut on this rhythm, as well as the only released dub, as appeared on the -musical dub attack.-

production duo mark richards & james eliot aka solardo are the next to make their mark on hot creations with tribesme, delivering two heavy-duty cuts destined to stir serious heat in the club. already doing the rounds worldwide at the hands of some of the biggest names in the business, tribesmen and psycho girlfriend are built straight for the dancefloor around dense and heavy basslines, punchy percussion and prominent vocal slices. hailing from manchester, solardo are continuing the citys rich heritage in house music whilst carving out their own sound in the house and techno scene with releases on madtech, mta records and more recently of unsound mind. their string of successful releases has gained them an army of fans across the board from jamie jones to jackmaster. the pair also run a weekly radio show on rinse fm and are residents of the well known kaluki party as well as running their own successful event series, solardo sessions.

over the course of five galvanic, techno-esque slabs of sound fetnat delineates his vision, paying exquisite attention to detail in the almost imperceptible smithereens of vocal noise on tracks like kaoti and closing out the ep with a magnificent curve ball in the shape of the relentless rotel, a dazzling, synthetic drama of ebb and flow.

the second release of another earth is upon us and this time it s all about proper detroit techno combined with distorted left wing machine house. the label combines 2 acts together in a split ep series which compliment each others sound. for the a-side the highly talented producer, plural (separate skills, metroplex, u.s.), created 2 essential detroit techno tracks. the a1 is a warm uplifting peak time bomb and the a2 has a darker vibe concentrated on the groove. the b-side hosts 2 tracks from the intriguing mind of hakim murphy (machine dreams, chicago, u.s.). the b1 is a heavy distorted peak time house banger while the b2 is quite the opposite, deep and obscure.

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is… until the arrival of grime-n & starfunkle’s sushi breaks, a break record that is the compilation of a decade’s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it’s supposed to be, so you can do your best work without interruption.

opilec music is back with this special va signed by the cosmic acclaimed italian disco stars daniele baldelli & marco dionigi. both are regular remixers at the label and close friends to gianluca i-robots pandullo. having never been released before on vinyl these tracks show their unique style, and their ability to be reworked into a modern sound. 1980 s gogogo by the swiss electronic pioneers schaltkreis wassermann is taken from the classic psychotron album produced by pj & stella (r.i.p) wassermann, which has recently been re-released by private records germany.

adam beyers drumcode juggernaut attracts more fans and critical plaudits with each passing year. holding firm on its future facing ethos, techno s number one label presents a new volume in its acclaimed a-sides series with 20 prime tracks to signify its 20th anniversary. such is the volume of quality music adam beyer receives throughout the course of the year, releasing all of it would be impossible. enter the blue chip a-sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn t fit in their regular ep release schedule. with an eye on future talent, as much as the label s established roster of heavy-hitters, the compilation showcases the full breadth of drumcode s multifaceted techno sound, equal parts inspiring and functional. the compilation takes in exciting highlights from big guns such as alan fitzpatrick, dustin zahn, bart skils, pleasurekraft, luca agnelli, jay lumen, kaiserdisco and gary beck. also showcasing emerging techno talent boxia, enrico sangiuliano, juan sanchez, ian o donovan and timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.

adam beyer s drumcode juggernaut attracts more fans and critical plaudits with each passing year. holding firm on its future facing ethos, techno s number one label presents a new volume in its acclaimed a-sides series with 20 prime tracks to signify its 20th anniversary. such is the volume of quality music adam beyer receives throughout the course of the year, releasing all of it would be impossible. enter the blue chip a-sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn t fit in their regular ep release schedule. with an eye on future talent, as much as the label s established roster of heavy-hitters, the compilation showcases the full breadth of drumcode s multifaceted techno sound, equal parts inspiring and functional. the compilation takes in exciting highlights from big guns such as alan fitzpatrick, dustin zahn, bart skils, pleasurekraft, luca agnelli, jay lumen, kaiserdisco and gary beck. also showcasing emerging techno talent boxia, enrico sangiuliano, juan sanchez, ian o donovan and timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.

if anything, stojche’s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. there’s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.

with this second vinyl release, the parisian label collapsing market continue to refine and sharpen their own distinctive sound by introducing norin, the lust for youth frontman. beside of his well-know new wave band, the multi-faceted man produces experimental and abstract music that he first released on posh isolation, and now on collapsing market. also worth mentioning, the flawless artwork wraps things up in the most perfect way. strictly limited to 300 copies.

the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inches (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

marbod shows up with an adventure into wonderful sounddesigned housemusic. these four pieces of deeply grooving structures might are be influenced of early works by himself. he is coming home to his own imprint prooves once more how modern house music should sound like: deep, groovy and always surprising